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And then Serling drops the wonderful bomb when Gaines speaks of President John F. He’s confused by people calling him Colonel when he knows he’s a Major. He first wonders why there’s a picket fence in front of his house, when there wasn’t one when he left. The brilliance of this episode is how Serling’s script carefully teases out the sense that something is wrong in Gaines’s world.
He wakes up in bed with no memory of how he got there or what happened between the communication loss, but everything seems fine. Steve Forrest plays Major Robert Gaines, an astronaut orbiting Earth when he loses contact with his home planet. Serling’s narration sells the charm: “In the telling, the story gets added to and embroidered on, so that what might have happened in the time of the Druids is told as if it took place yesterday in the Blue Ridge Mountains.”Ĥ7. It’s a classic tale of a woman using witchcraft to get the man she wants and paying the price. Forbidden Planet’s Anne Francis stars as Jess-Belle, who’s in love with Billy-Ben Turner, played by James Best (who would go on to play Rosco P. And yet there are still some good ones (and three truly great ones you’ll find in the top 25), including this old-fashioned story of jealousy and witchery with some great star value. Almost every episode of season four, including even the ones on this list, would have been better at half the running time. Season four is the toughest stretch of The Twilight Zone because CBS expanded the show to an hour, which Serling didn’t like and the writing couldn’t quite support. These people have been kept alive by “the old man in the cave,” but French questions and confronts the guidance of their unseen leader. James Coburn stars as Major French, the leader of a group of soldiers who comes upon a town of survivors ten years after a nuclear war. That’s especially rare for a show that features about five dozen episodes about how technology will be the end of us. It’s not only an episode that encourages faith in a higher power but one that arguably is pro-technology in its twist.
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The first of many Serling-scripted episodes on this list, “The Old Man in the Cave” is based on a short story by Henry Slesar called “The Old Man,” and it’s a fascinating entry in the series history largely because of how many common elements of the show it actually subverts. “The Old Man in the Cave” (Season 5, Episode 7) In the Twilight Zone, we can’t avoid our true selves.Ĥ9. This episode presents us with a man scared that he’s going to kill his wife, but we know by now that this means he probably will anyway. The Twilight Zone often played with the concept of fate, typically coming down on the side that we can’t avoid it. And in that last one, he’s being arrested, tried, and executed for killing his wife.
Turned to the nonexistent channel 10, the cabbie sees scenes from his past, present, and then his future.
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When he mocks a TV repairman (played by Sterling Holloway) for taking too long and ripping him off, the repairmen really fixes his TV. He complains about her cooking, may be cheating on her, and calls her names.
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This late-series gem stars William Demarest as an average cab driver in a miserable marriage to Joan Blondell.
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Rod Serling’s creation arguably became more cynical as the show progressed, and the fifth season is full of bleak examinations of the human capacity for evil. Start with these great 50 chapters from one of be the best TV shows of all time. Who’s got 74 hours to watch all of them? Probably no one. But with 156 episodes of the original series (and two reboots), it can be tough to know where to start. If you’ve never seen an episode of the original series before, or simply want to revisit the best ones, now’s the time - all of them are on Hulu, and all but season four are on Netflix. Almost exactly 60 years after that first episode aired, Jordan Peele is rebooting the series, dragging us back into the zone with original stories starring Adam Scott, Kumail Nanjiani, Greg Kinnear, Steven Yeun, and many more. When Rod Serling’s masterpiece premiered on CBS in 1959, he couldn’t have known how much it would still be impacting film and TV six decades later. It is an area which we call the Twilight Zone.” With those words, television changed forever. It is the middle ground between light and shadow, between science and superstition, and it lies between the pit of man’s fears and the summit of his knowledge. It is a dimension as vast as space and as timeless as infinity. “There is a fifth dimension beyond that which is known to man.
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